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Voice Imaging

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Techniques
Bumper (broadcasting)
Web Design

Techniques

Character device
Creative device
Educational or descriptive device
Commercial device
Translation

Bumper (broadcasting)

Bumper music
National Audio Theatre Festival
Voice acting

Web Design

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Voice-over

Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice that is not part of the narrative (non-diegetic) is used in a radio, television production, filmmaking, theatre, or other presentations.[1] The voice-over may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. it is pre-recorded and is placed over the top of a video. Commonly used in documentaries or news reports to explain information.

Techniques

Techniques
In Herman Melville's Moby-Dick (1956), Ishmael (Richard Basehart) narrates the story and sometimes comments on the action in voice-over, as does Joe Gillis (William Holden) in Sunset Boulevard (1950) and Eric Erickson (William Holden) in The Counterfeit Traitor (1962); adult Pip (John Mills) in Great Expectations (1946) and Michael York in a television remake (1974).
Voice-over technique is likewise used to give voices and personalities to animated characters. Among the most noteworthy and versatile voice actors include Mel Blanc, Daws Butler, Don Messick, Paul Frees, and June Foray.

Creative device

Creative device
In film, the film-maker places the sound of a human voice (or voices) over images shown on the screen that may or may not be related to the words that are being spoken. Consequently, voice-overs are sometimes used to create ironic counterpoint. Also, sometimes they can be random voices not directly connected to the people seen on the screen. In works of fiction, the voice-over is often by a character reflecting back on his or her past, or by a person external to the story who usually has a more complete knowledge of the events in the film than the other characters.

Voice-overs

Voice-overs are often used to create the effect of storytelling by a character/omniscient narrator. For example, in The Usual Suspects, the character of Roger "Verbal" Kint has voice-over segments as he is recounting details of a crime. Classic voice-overs in cinema history can be heard in Citizen Kane and The Naked City. Other examples of storytelling voice-overs can be heard in Annie Hall, Gattaca, Fight Club, Megamind, Ratatouille, Spirit: Stallion of the Cimarron, Tangled, The Magic School Bus, The Emperor's New Groove, Kronk's New Groove, Blade Runner, The Rugrats Movie, The Shawshank Redemption, Big Fish, How to Train Your Dragon, Moulin Rouge!, The Postman Always Rings Twice, Young Winston, Rugrats, Raising Arizona, Goodfellas, Clash of the Titans, and Star Quest: The Odyssey.

Voice-over translation

Voice-over translation
In some countries, such as Russia and Poland, a voice-over provided by a single artist is commonly used on television programs as a language localization technique, as an alternative to full dub localization.
In Bulgaria, voice-over translation is also common, but each film (or episode) is normally voiced by at least four actors. The voice artists try to match the original voice and preserve the intonation. The main reason for the use of this type of translation is that unlike synchronized voice translation, it takes a relatively short time to produce as there is no need to synchronize the voices with the character's lip movements, which is compensated by the quieted original audio. When there is no speaking in the film for some time, the original sound is turned up. Recently, as more films are distributed with separate voice and noises-and-music tracks, some voice-over translations in Bulgaria are produced by only turning down the voice track, in this way not affecting the other sounds. One actor always reads the translation crew's names over the show's ending credits (except for when there are dialogs over the credits).

Game shows

Game shows formerly made extensive use of voice-overs to introduce contestants and describe available or awarded prizes, but this technique has diminished as shows have moved toward predominantly cash prizes. The most prolific have included Don Pardo, Johnny Olson, John Harlan, Jay Stewart, Gene Wood and Johnny Gilbert.
Voice-over commentary by a leading critic, historian, or by the production personnel themselves is often a prominent feature of the release of feature films or documentaries on DVDs.
Commercial device
The commercial use of voice-over in television advertising has been popular since the beginning of radio broadcasting.
In the early years, before effective sound recording and mixing, announcements were produced "live" and at-once in a studio with the entire cast, crew and, usually, orchestra. A corporate sponsor hired a producer, who hired writers and voice actors to perform comedy or drama.
The industry expanded very rapidly with the advent of television in the 1950s and the age of highly produced serial radio shows ended. The ability to record high-quality sound on magnetic tape also created opportunities, as has the proliferation of home computers capable of recording, often using inexpensive even free software and a microphone of reasonable quality.
Manufacturers will often use a distinctive voice to help them with brand messaging, often retaining talent to a long term exclusive contract.